| BLAST | 1998 solo trumpet 3’30’’
comment
Blast is a short piece written as a birthday present to my brother, Adalsteinn Ingólfsson. The material is quite diatonic, which actually is a consequence of the rhytmic method I use.
For performers: A fanfare in 11/8 metre. Fit for last year trumpet students. A transcription for alto sax also exists.
comment
Blast is a short piece written as a birthday present to my brother, Adalsteinn Ingólfsson. The material is quite diatonic, which actually is a consequence of the rhytmic method I use.
For performers: A fanfare in 11/8 metre. Fit for last year trumpet students. A transcription for alto sax also exists.
| BERGING (Consummation) | 1982 solo flute 6’30’’
comment
Probably definable as a youth piece, Berging was written at the time when I dedicated almost as much time to writing poetry as to music. In fact it is written as a sort of musical counterpart to a poem of the same name. Apart from some formal allusions there is no precise correspondency between the two, it is more a question of unity of mood. Both the poem and the music are of somewhat expressionistic character.
For performers: The piece uses some unconventional techniques and some uncomfortable (or impossible) tremolos. It certainly is difficult, but the total effect is lyrical. It has been done by graduating flute students.
main performances
Reykjavík 1983 (Martial Nardeau)
Malmö, September 1983 (Áshildur Haraldsdóttir)
Reykjavík, January 1985 (Kolbeinn Bjarnason)
Stockholm, September 1987 (Áshildur Haraldsdóttir)
comment
Probably definable as a youth piece, Berging was written at the time when I dedicated almost as much time to writing poetry as to music. In fact it is written as a sort of musical counterpart to a poem of the same name. Apart from some formal allusions there is no precise correspondency between the two, it is more a question of unity of mood. Both the poem and the music are of somewhat expressionistic character.
For performers: The piece uses some unconventional techniques and some uncomfortable (or impossible) tremolos. It certainly is difficult, but the total effect is lyrical. It has been done by graduating flute students.
main performances
Reykjavík 1983 (Martial Nardeau)
Malmö, September 1983 (Áshildur Haraldsdóttir)
Reykjavík, January 1985 (Kolbeinn Bjarnason)
Stockholm, September 1987 (Áshildur Haraldsdóttir)
| BAKKYNJUR (BACCHAE) | 2007 For female choir, clarinet and percussion 20' approx.
comment
This is a suite from the stage music containing all the songs and some of the "voicescapes" from the staging at the National Theatre in December 2006-February 2007. Probably some of the songs can be performed separately. The pitch structure goes from noise to tonal/modal.
To be premiered in Reykjavik 2009