| A VERSO | 1990 solo piano 7'
comment
Literary metrics are based on horisontal and vertical euphony and on the repetition of metric structures. A verso is inspired by prosody and reconstructs in music some of its characteristics such as euphony (in this case based on 'syllables' of notepairs) and the metre, based on repetition of articulation structures.
The concept of repetition is at the basis of the whole form so the work may also be defined as a study on repetition on all levels of the musical texture.
main performances
Oslo, 1991 (Edda Erlendsdottir)
Amsterdam, September 8, 1991 (Tomoko Mukaiyama): The Gaudeamus Festival
Reykjavik, July 11, 1993 (S.S.Birgisson)
Bonn, 1993 (S.S.Birgisson)
Cremona, December 16 1993 (Marco Pedrazzini)
Milan (Maria Grazia Bellocchio)
Bergen, June 2000 (James Clapperton)
Reykjavik, August 2000 (James Clapperton)
Trento, November 2000 (Edda Erlendsdottir)

| L'Atleta | 1996 (BMG Ricordi)

for solo trumpet and 6 perc. Players 12’

percussion

player I: 5 cencerros (with mute), 5 claves on support, dobachi (c’), marimba, set of 3 bongos and 2 congas, bell tree
player II: metal tube (30 cm x 50 mm), 2 cencerros, 4 claves, 1 wood block, snare drum, 4 tom-toms, marimba, tam-tam (70 cm)
player III: metal spring, 2 cencerros, dobachi (e flat’), 5 wood blocks, 5 boo bams, vibraphone
player IV: wa-wa bar I, 2 cencerros, 4 wood blocks, 1 mokubio, 2 bongos, 2 congas, timpano, 2 crotales
player V: wa-wa bar II, 2 cencerros, dobachi, 3 mokubios, 2 temple blocks, 4 roto toms, 1 timpano, 2 crotales
player VI: wa-wa bar III, 2 cencerros, 5 temple blocks, 4 tom toms, bass drum, 2 crotales